Statement
I personally hand sew each sequin and bead onto the fabric using a
needle and thread.  My technique was adapted from the Haitian
textile art form of Drapo.  
My work reflects a fascination with time, people, places and objects.  
I aim to show the beauty in driving by a seemingly endless field of
wheat, the calming blue of the Caribbean, or the fleeting light of the
sun setting in the city.  In my work, I like to show contrast and color,
or just the pure texture of a subject while recording the stillness in
ordinary moments.  My work is often an abstract expression of my
perception of experiences of my everyday life.
The subject matter develops in my memory.  The work may begin
through sketches on the fabric itself or, at times on paper.  Utilizing
the traditional method of hand sewing the sequin and bead to the
fabric, felt or cotton, I allow imagination to take over.  Most pieces
require a minimum of 20 hours and some have required over 200.  
Each piece is then pinned to foam core board and framed by my
husband Timothy, using pine, poplar, or oak, depending on the colors
of the piece.
I have been making art since I can remember, but I had always been
looking for a medium that expressed the brilliance of life's
experiences.  While I enjoy painting and weaving, for which I have a
degree, neither in their own were able to express the richness and
joy I wish to instill in my art.  I have been using this adapted Drapo
technique for seven years now, and believe that I have found a
medium that emphasizes life.    Kristin Morland
K R I S T I N   M O R L A N D